FINELINER
PELIKAN FLAT Bristle brushes series 613F 12 NUMBER
₹150.00
Only 4 left in stock
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- Premium hand-crafted brushes with birch wood handle with a lacquer finish make them waterproof.
- The pearl nickel-plated brass ferrule holds the shape of the bristle giving the superior look.
- The interlock technology gives a good elasticity to the bristles to hold both oil paints and acrylics. The best brush-making technologies combine to give the extra premium range of Brustro Artists Bristlewhite brush range.
- Contains Brush No . 1, 2, 3, 4, 5, 6
Bristlewhite Round Brush1008 (No. 8, 10, 12)
- Brustro Artists? Bristlewhite Brush with Japanese interlocked bristle technology made with Chungking bristles, the best in the world.
- Premium hand crafted brushes with birch wood handles with a lacquer finish makes them waterproof.
- The pearl nickle plated brass ferrule holds the shape of the bristle giving the superior look.
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Brustro Artists Bristle White Round 2 NUMBER Brush Series 1008
- Brustro Artists’ Bristlewhite Brush with Japanese interlocked bristle technology made with Chungking bristles, the best in the world.
- Premium hand crafted brushes with birch wood handles with a lacquer finish makes them waterproof.
- The pearl nickle plated brass ferrule holds the shape of the bristle giving the superior look.
- The interlock technology gives a good elasticity to the bristles to hold both oil paints and acrylics. The best of brush making technologies combine to give the extra premium range of Brustro Artists’ Bristlewhite brush range.
- Contains a set of 9 Round brushes – Brush No . 1, 2, 3, 4, 5, 6, 8, 10 and 12
BRUSTRO Bristlewhite Wide 1002 50mm
- Brustro White Bristle Wide Flat brushes are made of high quality hog hair double crimped on nickel plated brass ferrules on a short flat wooden handle. The black matt finish on the wooden handles not only enhances the aesthetic value but also assures its longevity.
- Being a very versatile brush, it can be used for oil painting, acrylic painting, water colour, gouache and poster painting.
- These brushes are best known for covering large parts of canvas or paper quickly. Paint can be applied using a dry brush, but most artists use the wide flat brush by first dipping it into some water to achieve maximum coverage quickly.
BRUSTRO Greengold Flat (Brush Nos. 16, 20, 24)
Brustro Greengold Flat brushes are great for thin to wide strokes where you want a lot of paint coverage.The flat brush very closely resembles a wash brush, except it is not quite as thick and the bristles are typically not as rounded on the edges.Flat or rectangular brushes have square, flexible ends and can hold a lot of paint. When used flat, they can make long strokes and are well suited to blending and painting in large areas. The tip and sides can also be used for more delicate lines and small touches.Greengold brushes by Brustro are constructed with 3 different diameters of extra-strong, extra-smooth synthetic bristle are designed to meet international standards of quality with pearl nickel plated brass ferrules double crimped on a perfectly balanced dark green lacquered wooden handles which matches the tip of the bristles for the perfect creative experience.These brushes are very versatile and can be used for a variety of media. Ideal for acrylic, gouache, oil and also watercolours. These brushes keep their shape after long and vigorous use. The bristles are stiff, with a precise snap that makes them excellent for use with heavy-bodied acrylics and oils. They have long handles that allow artists to work at a distance from the painting surface. EASY CARE & RESHAPE - Simply clean brushes with warm water immediately after use and reshape brush tip.
BRUSTRO Greengold Round (Brush Nos. 10, 12, 16, 20, 24)
- Brustro Greengold Round brushes have a soft rounded edge with precise tips. They have a large belly that tapers to a fine point. They’re capable of bold strokes that can cover large areas, yet they can also render fine lines and details
- These brushes give you maximum control for different details in your acrylic, gouache, oil or watercolour painting.
- The narrow handles of these brushes are similar to the same feeling you would have when holding a pen or pencil
- These brushes are used for adding details and when you need full control of the size and flow of the paint. You may also wish to experiment with using these brushes both wet and dry for different effects while creating.
- Sizes available in 2,4,6,8,10,12,16,20,24
BRUSTRO Greengold Wide Flat 25mm
- Brustro Greengold Wide Flat Brushes are great utility brushes for use with most paints, stains, varnish, acrylic and gesso.
- Can be used in large areas with base coats or gesso, in large areas of water or colour, applying washes and backgrounds.
- They are great for fast and loose painting styles.
- These brushes allow for sweeping and precise techniques for applying vivid watercolour washes, liquid inks and watercolours to canvas or paper.
- Brushes available in size 25mm
Kolinsky Lmitation Quill Mop Size 10
- Bristles – Selected synthetic hair which is perfectly imitated to the Kolinsky hair in elasticity and liquid holding capacity, Round and full bristles with a pointed, exact tip are closely arranged for detail, The round shape is perfected for water retention and pointed tip allows cutting into tighter corners and painting more precisely.
- Ferrule and Handle – Synthetic quill ferrule mounted on a beautiful short mahogany handle. Useful for covering the large surface and absorbing excess media, Very high elasticity, Very high liquid holding capacity, Perfect shape retention, Great precision.
- Seamless ferrule is durable and long-lasting, Exceptional paint pickup, and steadiness in paint release, Handle design is elegant and comfortable, Handle is contoured and sculpted for a secure grip that is effortless.
- For watercolour applications and all liquid media – blending and softening. Also, very well suited for varnishing and washes, Ensures a high level of control for precise expressions and strokes, Lightweight high quality.
- Wet on wet techniques without flooding the paper. With quill mop brushes, an artist can exercise more control over the painting as more and more layers of water and pigments are added.
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